Friday Artfest: Another Carpenter Who Knows What Nails are for by Joe Coleman

Another Carpenter who Knows What Nails are for by Joe Coleman

As I understand this self-portrait by Joe Coleman, it is a representation of the artist's work in his own view of himself. Wrapping about his head like a halo are the various caricatured creatures who have populated Coleman's work over the years. They worry at him and tear at the edges of reality, crossing the line between what is imaginary and what is real. But is his eyes that hold the real meaning in this piece for me. The eye on the right side of the canvas is clear and seems to focus on you, seeing you as you really are; while the left eye is clouded and focusing somewhere higher than the audience. It's as though this eye sees the potential of the world and reveals the artistic majesty that only Joe can see.

Your thoughts?

Friday Artfest: A Picture from Life's Other Side [Hank Williams] by Joe Coleman

A Picture from Life's Other Side [Hank Williams] by Joe Coleman

I first saw this piece by Joe Coleman when it graced the cover of Juxtapoz magazine back in the spring of 2000, and it was a life changing piece for me. You see, before this cover I had never envisioned an artistic work that had words on it. Sure I had seen some silly shit that me and my buddies were doing where we drew and then wrote text about it like some sort of juvenile avant-garde work, but here was an artist that had actually been published in a magazine doing the same thing - only far more elegantly.And that elegance comes from the fact that Coleman is a master of this style of painting. This style differs from the traditional form, where the audience is required to infer the narrative from the images on the canvas, by Coleman's explicit telling of the narrative both through the imagery used and through the text on the canvas. 

A remarkable change from the traditional. 

In this particular piece we're given a narrative on the life of Hank Williams Sr.. Throughout the piece important people and events are scattered about like photographs thrown on the ground retelling the man's life. 

While there is a scattered feel to the scenes of Hank's life there is a hauntingly disturbing feel to the overall work. If you pay attention to the people in the picture you'll notice that depending on their impact on his life the look of the individual is stylized in different ways. Positive interactions tend to have more flattering and warm pictures, while those more typical of Hank's turbulent life are shown with angry visages or sickly - creepy even - skin and smarmy looks on their faces. And then there are his slithering lyrics that writhe about the painting like snakes looking for freedom. All and all this picture presents a complete impression of the man and his short life.

I just love this piece.